The Year 2011 In Review: An artist look
As another year draws to a close, it prompts reflection on our experiences, both triumphs and setbacks, and urges us to contemplate the future ahead.
With the looming possibility of another recession on the horizon, life feels even more uncertain. In a thought-provoking discussion on Art Times, Mary Corrigall was asked about the potential positive impact of a recession on the art world. Her response offers a nuanced perspective, suggesting that while recessions may challenge the commercial aspects of art, they also present an opportunity for the industry to reevaluate its values and reconnect with its deeper purpose.
Corrigall's notion of art reconnecting with its "soul" resonates deeply, echoing sentiments expressed by Johans Borman in the preface of an exhibition catalogue. Borman's words evoke the idea of artists bravely baring their souls on a blank canvas, emphasizing the raw authenticity and emotional depth inherent in artistic expression.
The year 2011 proved to be a challenging yet compelling period for the arts. One of the standout events was the Venice Biennale, a globally renowned platform that showcased the creative talents of three African countries: South Africa, Egypt, and Zimbabwe. This participation underscored the growing international recognition of African art and culture.
Closer to home, the FNB Joburg Art Fair and the Frieze Art Fair provided platforms for artists and art enthusiasts to converge and celebrate creativity. Additionally, exhibitions such as the Rendezvous Focus Painting Exhibition at the NWU Gallery in Potchefstroom and retrospectives of acclaimed artists like Vladimir Tretchikoff and Peter Clark offered rich opportunities for artistic engagement and appreciation.
As we navigate the uncertainties of the future, it's essential to remember the enduring power of art to inspire, provoke thought, and foster connection. Whether in times of economic prosperity or adversity, art continues to serve as a testament to the resilience and creativity of the human spirit.
'Colour Africa'- 5 July to 6 August 2011, Amalienstrasse 81, Munich, Germany
In the year, my work was featured in a group exhibition held in Munich, Germany, showcasing the diverse range of Zimbabwean contemporary art. The exhibition highlighted paintings, graphics, metal sculptures, and multimedia three-dimensional works by renowned artists such as Arthur Azevedo, Virginia Chihota, Tafadzwa Gwetai, Masimba Hwati, James Jali, Rashid Jogee, Lovemore Kambudzi, Admire Kamudzengerere, Muyaradzi Kampfumvuti, Helen Lieros, Shepherd Mahufe, Patrick Makumbe, Wallen Mapondera, Misheck Masamvu, Munyaradzi Mazarire, Luis Meque, Richard Mudariki, Munyaradzi Mugarosa, Gareth Nyandoro, Thakor Patel, Greg Shaw, Cosmas Shiridzinomwa, Ishmael Wilfred, Richard Witikani, and Portia Zvavahera.
‘At night we dream during the day we see’, Association for Visual Arts (AVA), Church Street, Cape Town
In August 2011, the Association for Visual Arts Gallery hosted a compelling group exhibition showcasing the works of talented artists including Cinga Samson, Bangikaya Maqoqa, Richard Mudariki, Adolf Tega, Ndikumbule Ngqinambi, Anathi Tyawa, Zolani Siphungela, and Mncedi Bodlo. Titled 'At Night We Dream, During the Day We See,' the exhibition offered viewers a captivating exploration of themes related to political surrealism.
Kirsty Cockrill, the director and curator of the exhibition, emphasized the link between the artworks and political surrealism. Through their diverse and thought-provoking pieces, the artists engaged with socio-political issues in a surrealistic manner, inviting viewers to contemplate the complexities of contemporary society through a dreamlike lens.
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| The opening night of the At Night We Dream Duringthe Day We See exhibition at the AVA Gallery, Cape Town |
In the same month, I was honored to be elected to serve on the board of the Association for Visual Arts (AVA) for a term of two years. Situated in the heart of Cape Town, AVA stands as one of the city's oldest non-profit art galleries, dedicated to showcasing contemporary South African art across various media.
With a steadfast commitment to promoting and advancing visual art and artists in South Africa, AVA places particular emphasis on supporting artists from the Western Cape region, both established and emerging, whether formally trained or self-taught. The gallery achieves this mission through various initiatives, including its ever-changing exhibition schedule, which rotates every four weeks to feature a diverse array of artistic voices and perspectives.
Additionally, AVA operates the ArtReach Fund, which provides financial assistance to artists, enabling them to purchase essential art materials and resources. By facilitating access to funding and exhibition opportunities, AVA plays a crucial role in nurturing the local art community and fostering creative expression.
For those interested in learning more about AVA and its initiatives, I encourage you to visit their website at www.ava.co.za. As a member of the board, I am excited to contribute to AVA's ongoing efforts to support and elevate the visual arts in South Africa, and I look forward to collaborating with fellow board members and artists to further our shared goals.
In October of that year, I had the privilege of participating in the prestigious exhibition 'Persona' at Johans Borman Fine Art. It was a true honour to have my artwork, titled "The Dog Anatomy Lesson," displayed alongside the works of highly acclaimed South African artist masters. The opportunity to showcase my work in such esteemed company was both humbling and inspiring, and I am grateful for the recognition and support from the artistic community.
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